西周时期的刑民诉讼称为（   ）。

根据资料 (1) 至 (4)，甲公司 2022 年 3 月 31 日资产负债表 “其他应付款” 项目的期末余额是 (    ) 万元。

WTO体制的建立对国际经济法产生的影响包括（   ）。

【背景资料】 
某特大桥主桥为连续刚构桥，桥跨布置为(75+6×120+75)m，桥址区地层从上往下依次为洪积土、第四系河流相的黏土、亚黏土及亚砂土、砂卵石土、软岩。主桥均采用钻孔灌注桩基础，每墩位8根桩，对称布置。其中1号、9号墩桩径均为φ1.5m，其余各墩桩径均为φ1．8m，所有桩长均为72m。施工中发生如下事件：
事件1：该桥位处主河槽宽度270m，4～6号桥墩位于主河槽内，主桥下部结构施工在枯水季节完成，最大水深4.5m。考虑到季节水位与工期安排，主墩搭设栈桥和钻孔平台施工，栈桥为贝雷桥，分别位于河东岸和河西岸，自岸边无水区分别架设至主河槽各墩施工平台，栈桥设计宽度6m，跨径均为12m，钢管桩基础，纵梁采用贝雷桁架、横梁采用工字钢，桥面采用8mm厚钢板，栈桥设计承载能力为60t，施工单位配备有运输汽车、装载机、切割机等设备用于栈桥施工。
事件2：主桥共计16根φ1．5m与56根φ1.8m钻孔灌注桩，均采用同一型号的回旋钻机24h不间断施工，钻机钻进速度均为1.0m／h。钢护筒测量定位与打设下沉到位另由专门施工小组负责，钻孔完成后，每根桩的清孔、下放钢筋笼、安放灌注混凝土导管、水下混凝土灌注、钻机移位及钻孔准备共需2d时间(48h)，为满足施工要求，施工单位调集6台回旋钻机，为保证工期和钻孔施工安全，考虑两种钻孔方案，方案一：每个墩位安排2台钻机同时施工；方案二：每个墩位只安排1台钻机施工。
事件3：钻孔施工的钻孔及泥浆循环系统示意图如图7所示，其中D为钻头，E为钻杆，F为钻机回转装置，G为输送管，泥浆循环如图中箭头所示方向。
事件4：3号墩的1号桩基钻孔及清孔完成后，用测深锤测得孔底至钢护筒顶面距离为74m。水下混凝土灌注采用直径为280mm的钢导管，安放导管时，使导管底口距孔底30cm，此时导管总长为76m，由1．5m、2m、3m三种型号的节段连接而成。根据《公路桥涵施工技术规范》要求，必须保证首批混凝土导管埋置深度为1.0m，如图8所示，其中H1为桩孔底至导管底端距离，H2为首批混凝土导管埋置深度，H3为孔内水头(泥浆)顸面至孔内混凝土顶面距离，h1为导管内混凝土高出孔内混凝土顶面的高度，且孔内泥浆顶面与护筒顶面标高持平。混凝土密度为2.4g／cm³，泥浆密度为1.2g／cm³。

事件5：3号墩的1号桩持续灌注3个小时后，用测深锤测得混凝土顸面至钢护筒顸面距离为47．4m，此时已拆除3m导管4节、2m导管5节。
事件6：某桩基施工过程中，施工单位采取了如下做法：(1)钻孔过程中，采用空心钢制钻杆。(2)水下混凝土灌注前，对导管进行压气试压试验。(3)泵送混凝土中掺入泵送剂或减水剂、缓凝剂。(4)灌注混凝土过程中注意测量混凝土顶面高程，灌注至桩顶设计标高时即停止施工。(5)用于桩身混凝土强度评定的混凝土试件置于桩位处现场，与工程桩同条件养护。

《小学教师专业标准（试行）》提出小学教师专业标准的基本理念是师德为先、学生为本、能力为重、终身学习。()

Emerging in the late Sixties and reaching a peak in the Seventies, Land Art was one of a range of new forms, including Body Art, Performance Art, Action Art and Installation Art, which pushed art beyond the traditional confines of the studio and gallery. Rather than portraying landscape, land artists used the physical substance of the land itself as their medium.

The message of this survey of the British land art--the most comprehensive to date--is that the British variant, typified by Richard Long’s piece, was not only more domestically scaled, but a lot quirkier than its American counterpart. Indeed, while you might assume that an exhibition of Land Art would consist only of records of works rather than the works themselves, Long’s photograph of his work is the work. Since his “action” is in the past, the photograph is its sole embodiment.

That might seem rather an obscure point, but it sets the tone for an exhibition that contains a lot of black-and-white photographs and relatively few natural objects.

Long is Britain’s best-known Land Artist and his Stone Circle, a perfect ring of purplish rocks from Portishead beach laid out on the gallery floor, represents the elegant, rarefied side of the form. The Boyle Family, on the other hand, stand for its dirty, urban aspect. Comprising artists Mark Boyle and Joan Hills and their children, they recreated random sections of the British landscape on gallery walls. Their Olaf Street Study, a square of brick-strewn waste ground, is one of the few works here to embrace the commonplaceness that characterises most of our experience of the landscape most of the time.

Parks feature, particularly in the earlier works, such as John Hilliard’s very funny Across the Park, in which a long-haired stroller is variously smiled at by a pretty girl and unwittingly assaulted in a sequence of images that turn out to be different parts of the same photograph.

Generally however British land artists preferred to get away from towns, gravitating towards landscapes that are traditionally considered beautiful such as the Lake District or the Wiltshire Downs. While it probably wasn’t apparent at the time, much of this work is permeated by a spirit of romantic escapism that the likes of Wordsworth would have readily understood. Derek Jarman’s yellow-tinted film Towards Avebury, a collection of long, mostly still shots of the Wiltshire landscape, evokes a tradition of English landscape painting stretching from Samuel Palmer to Paul Nash.

In the case of Hamish Fulton, you can’t help feeling that the Scottish artist has simply found a way of making his love of walking pay. A typical work, such as Seven Days, consists of a single beautiful black-and-white photograph taken on an epic walk, with the mileage and number of days taken listed beneath. British Land Art as shown in this well selected, but relatively modestly scaled exhibition wasn’t about imposing on the landscape, more a kind of landscape-orientated light conceptual art created passing through. It had its origins in the great outdoors, but the results were as gallery-bound as the paintings of Turner and Constable.

根据刑法的规定，下列情节中可以减轻或者免除处罚的有(   )。

某年1月3日上午，山东某化肥公司供气车间主任通知机修车间主任安排人焊接脱硫贫、富液槽蒸汽加温管。上午机修车间焊工班班长在从气车间脱硫工段长的带领下，去现场看了工作量。下午14时10分，班长安排李某、薛某、宋某到脱硫岗位焊接管线，车间安全员刘某未开具贫液槽焊接管线的动火证情况下，就开始焊接富液槽的蒸气管。

当预制好由蒸气管引出20mm的管线至富液槽锥形上盖与筒体连接处北面斜上方约400mm处时，宋某从槽顶部下来，李某、薛某2人上去，把预制好的管子进行对焊，在焊接时发生爆炸，时间是3日16时45分，富液槽锥形上盖飞出70多米，李某被抛出25米左右，薛某从槽顶部摔下地面，事故发生后，公司立即安排人将李某、薛某送往医院抢救。李某在送往医院的途中死亡，薛某腿部骨折。

根据以上场景。回答下列问题：

2021年1月 日某股份公司所有者权益如下:股本10000万元(每股面值为1元)。资本公积(股本溢价) 50000万元，盈余公积3000万元，未分配利润1000万元(贷方余额)。2021年该公司发生以下业务:(1) 月 日，经股东会批准。宣告发放现金股利200万元，用盈余公积转增股本400万元，5月24日支付全部现金股利。(2)月日，经股东大会批准，以回购并注销本公司股票1000万股，每股回购价3元。(3) 12月31实现净利润2000万元，10%提取法定盈余公积，结转未分配利润。要求:根据上述资料，回答下列小题。
（3）结转本年净利润及利润分会计处理正确的是（   )。

案例4  

D煤矿井田面积17.9km²,矿井核定生产能力3.0Mt/a,采用平硐、斜井联合开拓。有2号、3号两个可采煤层，均为容易自燃煤层，平均厚度分别为3.5m、6.8m,2号煤层与3号煤层间距20m。矿井属于低瓦斯矿井，煤尘具有爆炸性。矿井划分为两水平，两翼式开采，中央并列式通风。目前只开采二水平东翼3号煤层二采区，布置有3210综采工作面，另有一处封闭火区。该水平正常气温22～24℃,正常水温18～20℃。

近2个月来，该煤矿开展了多次封闭火区观测，火区空气温度稳定在25℃,出水温度稳定在20℃,一氧化碳浓度稳定在0.002%,乙烯浓度稳定在0.0001%,氧气浓度稳定在4.5%。

3210综采工作面采用放顶煤开采，工作面斜长210m、割煤高度3.0m,工作面走向长度3590m,采用带式输送机运输煤炭、无轨防爆胶轮车运送人员和物料，工作面上部有2号煤层采空区。

2019年8月10日，3210综采工作面开始回采。9月20日，综采工作面两巷压力变大，出现底鼓现象，距工作面端头80m处，回风巷有30m底鼓严重，工作面推进速度缓慢。9月23日早班，综采队安排8人在3210综采工作面回风巷拉底。11:10工作面瓦检员检测到工作面回风隅角一氧化碳浓度达97ppm,经进一步检查发现，距工作面回风隅角75m处顶板较大面积冒落，一氧化碳浓度达115ppm,瓦斯浓度为0.37%。瓦检员立即向调度室和带班领导进行了汇报。带班领导安排回风巷拉底作业人员立即撤离作业现场。11:30根据矿应急救援领导小组安排，工作人员采取了向冒落处煤层注水灭火、在工作面进风隅角设置风障、适当增加工作面风量等措施，以降低工作面一氧化碳浓度和瓦斯浓度。13:20工作面着火点处理完毕，一氧化碳浓度逐渐降低到允许值以下。

根据以上场景，回答下列问题：